Arthur Rimbaud, a prominent figure in the late 19th-century literary scene, is often celebrated for his groundbreaking contributions to modernist poetry. His work, characterized by its experimental form and vivid imagery, embodies many of the philosophical tenets of modernism. This essay explores how the philosophy of modernism manifests in Rimbaud\u2019s poetry, focusing on themes of rebellion against tradition, fragmentation, subjectivity, symbolism, and alienation.<\/p>\n
One of the hallmark features of modernist poetry is its defiance of traditional forms and conventions. Rimbaud was a pioneer in this regard, rejecting the rigid structures of classical poetry in favor of free verse and unconventional rhythms. In works such as “A Season in Hell” (“Une Saison en Enfer”), Rimbaud employs a prose-poetic style that eschews the constraints of meter and rhyme, allowing for a more fluid and dynamic expression of thought. This rebellion against tradition reflects a broader modernist impulse to break free from the past and explore new artistic possibilities.<\/p>\n
Modernist poets often use fragmentation and juxtaposition to create complex layers of meaning and challenge readers’ perceptions. Rimbaud\u2019s poetry is replete with abrupt shifts in imagery and tone, resulting in a disjointed yet evocative narrative. In “The Drunken Boat” (“Le Bateau Ivre”), for example, Rimbaud presents a series of vivid, seemingly unrelated images that collectively convey a sense of disorientation and liberation. This technique mirrors the fragmented nature of modern existence, as well as the modernist desire to capture the multiplicity of human experience.<\/p>\n
A key aspect of modernist philosophy is its emphasis on subjectivity and the inner workings of the mind. Rimbaud\u2019s poetry delves deeply into the realm of personal experience, exploring themes of identity, perception, and self-discovery. His work often blurs the line between reality and imagination, reflecting the modernist interest in the unconscious and the fluidity of human consciousness. In “A Season in Hell,” Rimbaud\u2019s introspective journey becomes a vehicle for examining the complexities of the self and the elusive nature of truth.<\/p>\n
Rimbaud\u2019s poetry is marked by a profound introspection and a quest for self-discovery. In works such as “A Season in Hell” (“Une Saison en Enfer”), Rimbaud embarks on a journey of inner exploration, grappling with questions of identity and the nature of existence. The poem is a confessional and autobiographical narrative that delves into the poet\u2019s inner turmoil and existential angst. Through vivid and often surreal imagery, Rimbaud articulates the fragmented and fluid nature of the self, reflecting the modernist emphasis on the subjective experience of the individual. The theme of self-discovery is also evident in Rimbaud\u2019s famous assertion, “I is another” (“Je est un autre”), which encapsulates his belief in the multiplicity and fluidity of identity. This notion challenges the conventional understanding of a stable and coherent self, suggesting instead that identity is constantly shifting and evolving. Rimbaud\u2019s exploration of identity resonates with the modernist preoccupation with the inner life of the individual and the complexities of human consciousness.<\/p>\n
Rimbaud\u2019s poetry often blurs the line between reality and imagination, reflecting his interest in the workings of the unconscious mind. His use of rich and evocative imagery invites readers to engage with his work on a deeply emotional and intuitive level. In “Illuminations,” Rimbaud\u2019s prose poems are filled with dreamlike visions and hallucinatory landscapes that evoke the fluid and elusive nature of perception. The modernist fascination with the unconscious is evident in Rimbaud\u2019s exploration of altered states of consciousness. His poetry frequently delves into themes of intoxication, madness, and visionary experience, suggesting a desire to transcend the limitations of ordinary perception and access deeper layers of the mind. This exploration of the unconscious reflects the modernist belief in the power of art to reveal hidden truths and to illuminate the mysteries of the human psyche.<\/p>\n
Rimbaud\u2019s use of rich, often surreal symbolism and imagery is a defining feature of his modernist sensibility. His poems are filled with metaphors and symbols that invite multiple interpretations and resonate on an emotional level. The imagery in “The Drunken Boat” is particularly striking, as Rimbaud conjures a kaleidoscopic vision of the natural world that transcends ordinary perception. This reliance on symbolism reflects the modernist belief in the power of art to evoke profound, often ineffable experiences.<\/p>\n
Rimbaud\u2019s poetry is renowned for its striking and unconventional imagery, which often challenges readers to see the world in new and unexpected ways. In “The Drunken Boat” (“Le Bateau Ivre”), Rimbaud presents a series of vivid and hallucinatory images that evoke the disorienting experience of a boat adrift on the sea. The poem\u2019s imagery is rich and evocative, capturing the tumultuous and ever-changing nature of the protagonist\u2019s journey. For example, Rimbaud writes:<\/p>\n
“I have seen the low-hanging sun spotted with mystic horrors, Lighting up long violet coagulations Like performers in very ancient dramas! Waves rolling back the horizons and breaking forth in light.”<\/p>\n
Through this kaleidoscopic vision, Rimbaud creates a sense of both wonder and disorientation, reflecting the fluid and unstable nature of reality. The imagery in “The Drunken Boat” serves to transport readers into a world of heightened perception, where ordinary experiences are transformed into extraordinary and often surreal visions.<\/p>\n
Rimbaud\u2019s use of symbolism is central to his poetic vision, allowing him to convey deep emotional and psychological truths through metaphor and allegory. In “A Season in Hell” (“Une Saison en Enfer”), Rimbaud employs a range of symbols to explore themes of suffering, redemption, and self-discovery. The poem\u2019s title itself is symbolic, suggesting a period of intense inner turmoil and transformation.<\/p>\n
Throughout “A Season in Hell,” Rimbaud uses symbolic imagery to represent his emotional state and spiritual journey. For example, the recurring motif of fire serves as a symbol of both destruction and purification. Rimbaud writes:<\/p>\n
“I firmly intend to possess the truth and to behold the justice of victory! That will, is a ray of light! \u2014 Pride is the flame that devours me.”<\/p>\n
Here, fire symbolizes the intense passion and inner conflict that drive the poet\u2019s quest for truth and self-understanding. The symbolic imagery in Rimbaud\u2019s poetry resonates on an emotional level, inviting readers to connect with the poet\u2019s inner experience and to reflect on their own journey of self-discovery.<\/p>\n
Rimbaud\u2019s poetry often blurs the boundaries between reality and imagination, using imagery to create a sense of dreamlike unreality. In “Illuminations,” Rimbaud\u2019s prose poems are filled with fantastical and otherworldly images that evoke a sense of surreal wonder. For example, in “Cities” (“Villes”), Rimbaud describes a cityscape that defies conventional logic and perception:<\/p>\n
“They are cities! This is plain; it is minute, the overreaching madness of these hovels, unseen riches! To the right, to the left, up above, at every point, the earth sinks under them; they extricate themselves with their extraordinary sap, with their violent humus.”<\/p>\n
The imagery in “Illuminations” often transcends the literal and the concrete, inviting readers to enter a world of heightened perception and imaginative possibility. This blurring of reality and imagination reflects Rimbaud\u2019s interest in the inner workings of the mind and the fluid nature of human experience.<\/p>\n
A pervasive theme in modernist literature is the sense of alienation and disillusionment with society and the self. Rimbaud\u2019s poetry often conveys a deep dissatisfaction with conventional values and a yearning to transcend the limitations of everyday existence. In “A Season in Hell,” Rimbaud grapples with feelings of exile and estrangement, both from his own identity and from the world around him. This theme of alienation is emblematic of the modernist crisis of faith in traditional structures and the search for new forms of meaning.<\/p>\n
Arthur Rimbaud\u2019s poetry exemplifies many of the core principles of modernist philosophy, from its rejection of traditional forms to its exploration of subjectivity and symbolism. Through his innovative use of language and imagery, Rimbaud captures the fragmented, disorienting experience of modern life, while also delving into the depths of personal and existential inquiry. His work continues to resonate with readers and remains a seminal influence on the development of modernist literature.<\/p>\n
Rimbaud employs free verse and prose poetry, abandoning the strict metrical patterns and rhyme schemes that had dominated French poetry for centuries. This rejection of traditional forms allowed Rimbaud to explore new modes of expression and to capture the complexities of modern experience. Rimbaud\u2019s innovative use of language further underscores his rebellion against tradition. He often employs vivid and surreal imagery, unexpected juxtapositions, and a fragmented narrative style that challenges readers to engage with his work on a deeper level. This linguistic experimentation reflects Rimbaud\u2019s desire to push the boundaries of what poetry could be, paving the way for future generations of modernist poets to explore new artistic possibilities.<\/p>\n
Rimbaud\u2019s rebellion extended beyond the realm of literary form to encompass a broader challenge to societal norms and conventions. In his poetry, Rimbaud frequently critiques the values and institutions of his time, expressing a profound disillusionment with the bourgeois society in which he lived. His work often conveys a sense of alienation and estrangement, both from his own identity and from the world around him. In “A Season in Hell,” Rimbaud\u2019s introspective journey becomes a vehicle for examining the limitations and hypocrisies of contemporary society. The poem explores themes of exile, self-discovery, and the search for meaning in a world that seems increasingly indifferent to individual aspirations. This critique of societal norms is emblematic of Rimbaud\u2019s broader rebellion against the status quo, as he sought to forge a new path for himself and for his art<\/p>\n
Rimbaud\u2019s rebellious spirit and rejection of tradition had a profound impact on the development of modernist literature. His innovative use of form and language, as well as his critique of societal norms, influenced a generation of poets and writers who sought to challenge the conventions of their own time. Rimbaud\u2019s work exemplifies the modernist impulse to break free from the past and to explore new ways of understanding and representing the world.<\/p>\n
Moreover, Rimbaud\u2019s emphasis on individual experience and subjective perception resonates with the core tenets of modernist philosophy. His poetry delves into the inner workings of the mind, exploring themes of identity, perception, and the unconscious. This focus on subjectivity and introspection reflects the modernist belief in the importance of personal experience as a source of artistic inspiration.<\/p>\n
Arthur Rimbaud, a trailblazing poet of the late 19th century, is known for his radical and innovative contributions to literature. While Rimbaud\u2019s work is often associated with modernist themes and sensibilities, it also bears traces of ancient philosophical influences. This essay explores the relationship between ancient philosophy and Rimbaud\u2019s thought, focusing on the ways in which concepts from classical antiquity are reflected in his poetry and intellectual pursuits.<\/p>\n
One of the key ancient philosophical influences on Rimbaud\u2019s thought is the pre-Socratic philosopher Heraclitus, who is known for his doctrine of perpetual change and the concept of flux. Heraclitus famously stated that “you cannot step into the same river twice,” emphasizing the constant and ever-changing nature of reality. This idea resonates with Rimbaud\u2019s exploration of fluidity and transformation in his poetry.<\/p>\n
Rimbaud\u2019s work often reflects a Heraclitean sensibility, as he delves into themes of instability, change, and the transient nature of experience. In “The Drunken Boat” (“Le Bateau Ivre”), Rimbaud presents a vision of a world in constant motion, where the boundaries between different states of being are fluid and ever-shifting. The poem\u2019s imagery of a boat adrift on the sea captures the sense of perpetual change and the dissolution of fixed identities, echoing Heraclitus\u2019s philosophy of flux.<\/p>\n
Another significant influence on Rimbaud\u2019s thought is the philosophy of Plato, particularly the notion of transcending the material world to attain higher forms of truth and beauty. Plato\u2019s theory of the Forms posits that the physical world is a mere shadow of a higher, more perfect reality, and that true knowledge and fulfillment can be found by contemplating these ideal Forms.<\/p>\n
Rimbaud\u2019s poetry often reflects a similar quest for transcendence and a longing to escape the limitations of the material world. In “A Season in Hell” (“Une Saison en Enfer”), Rimbaud\u2019s introspective journey can be seen as a search for higher truths and spiritual enlightenment. The poem\u2019s exploration of suffering, redemption, and self-discovery mirrors the Platonic ascent from the realm of appearances to the realm of eternal truths.<\/p>\n
The philosophy of Epicurus, with its emphasis on the pursuit of pleasure and the avoidance of pain, also finds echoes in Rimbaud\u2019s work. Epicurus advocated for a life of moderate pleasure and the cultivation of tranquility through the elimination of unnecessary desires and fears. This philosophy is reflected in Rimbaud\u2019s own hedonistic pursuits and his rejection of conventional societal values.<\/p>\n
In “A Season in Hell,” Rimbaud grapples with the tension between indulgence and asceticism, exploring the consequences of his hedonistic lifestyle. The poem\u2019s themes of excess, guilt, and the search for peace resonate with Epicurean ideas about the balance between pleasure and tranquility. Rimbaud\u2019s willingness to confront the darker aspects of his desires and experiences reflects an Epicurean approach to understanding and managing human passions.<\/p>\n
The Stoic philosophy, which emphasizes the acceptance of suffering and the cultivation of inner resilience, also finds a parallel in Rimbaud\u2019s thought. The Stoics believed that individuals should strive to maintain equanimity in the face of adversity and to align their will with the natural order of the universe.<\/p>\n
Rimbaud\u2019s poetry often grapples with themes of suffering, alienation, and the search for meaning in a chaotic world. In “A Season in Hell,” Rimbaud\u2019s reflection on his own suffering and his eventual acceptance of his fate echo Stoic principles of endurance and acceptance. The poem\u2019s exploration of inner conflict and resolution mirrors the Stoic belief in the importance of cultivating inner strength and serenity.<\/p>\n
The relationship between ancient philosophy and Arthur Rimbaud\u2019s thought is multifaceted and complex. While Rimbaud\u2019s work is deeply rooted in the modernist tradition, it also bears traces of classical philosophical influences, from Heraclitus\u2019s concept of flux to Plato\u2019s search for transcendence, Epicurus\u2019s pursuit of pleasure, and the Stoic acceptance of suffering. By drawing on these ancient ideas, Rimbaud enriches his exploration of the human condition and creates a poetic vision that transcends the boundaries of time and tradition.<\/p>\n
The relationship between modern philosophy, poetry, and Arthur Rimbaud\u2019s thought is multifaceted and profound. Rimbaud\u2019s work reflects key themes of existentialism, phenomenology, and the critique of traditional values, creating a rich and innovative poetic vision that continues to inspire and captivate readers. By engaging with these philosophical ideas, Rimbaud enriches his exploration of the human experience and leaves an indelible mark on the landscape of modernist literature.<\/p>\n
Existentialism, a philosophical movement that emerged in the 20th century, emphasizes individual freedom, choice, and the search for authenticity in an inherently meaningless world. While Rimbaud preceded the formal development of existentialism, his work reflects many of its core themes. In “A Season in Hell” (“Une Saison en Enfer”), Rimbaud embarks on a journey of self-discovery and existential questioning, grappling with his own sense of identity and purpose. He writes:<\/p>\n
“Once, if my memory serves me well, my life was a banquet where every heart revealed itself, where every wine flowed.”<\/p>\n
Through this introspective exploration, Rimbaud confronts the complexities of human existence and the search for meaning in a world that often appears indifferent and chaotic. His poetry captures the existential struggle to find authenticity and self-fulfillment, resonating with the later existentialist emphasis on individual experience and choice.<\/p>\n
Phenomenology, a philosophical movement founded by Edmund Husserl, focuses on the structures of consciousness and the ways in which individuals experience and interpret the world. Rimbaud\u2019s poetry often delves into the nature of perception and the subjective experience of reality. In “Illuminations,” Rimbaud\u2019s prose poems are filled with rich and evocative imagery that invites readers to engage with his work on an intuitive and emotional level.<\/p>\n
For example, in the poem “Barbarian” (“Barbare”), Rimbaud presents a series of vivid and surreal images that evoke the fluid and ever-changing nature of perception:<\/p>\n
“In the bright and silvery snow, a white stallion leaps through a cluster of poplar trees, and the woods are awash with his golden mane.”<\/p>\n
This focus on the sensory and perceptual aspects of experience reflects the phenomenological interest in the ways individuals encounter and make sense of the world. Rimbaud\u2019s use of imagery and symbolism invites readers to explore the depths of their own consciousness and to reflect on the nature of their perceptions.<\/p>\n
Modern philosophy often involves a critique of traditional values and societal norms, challenging established beliefs and advocating for new ways of thinking. Rimbaud\u2019s poetry is marked by a similar rebellious spirit, as he critiques the values and conventions of bourgeois society. In “A Season in Hell,” Rimbaud expresses a profound disillusionment with conventional morality and the materialism of contemporary culture. He writes:<\/p>\n
“Morality is the weakness of the brain.”<\/p>\n
This rejection of traditional values resonates with the modern philosophical critique of established norms and the search for alternative modes of existence. Rimbaud\u2019s work embodies a desire to break free from the constraints of societal expectations and to explore new and uncharted territories of thought and experience.<\/p>\n
Rimbaud\u2019s thought and poetry had a profound impact on the development of modernist literature, influencing a generation of poets and writers who sought to challenge conventional forms and explore new artistic possibilities. His innovative use of language, imagery, and symbolism paved the way for the modernist emphasis on experimentation and the exploration of inner experience.<\/p>\n
Moreover, Rimbaud\u2019s engagement with themes central to modern philosophy\u2014such as the search for authenticity, the nature of perception, and the critique of traditional values\u2014resonates with the broader modernist project of redefining the boundaries of art and thought. His work remains a seminal influence on modernist poetry, inspiring writers to push the limits of creative expression and to delve into the complexities of the human condition.<\/p>\n
The relationship between the art and poetry of the 19th century and Arthur Rimbaud\u2019s thought is multifaceted and profound. Rimbaud\u2019s work reflects the influence of Romanticism, with its emphasis on emotion and the sublime, as well as the Symbolist interest in symbolism and the exploration of the unconscious. Additionally, Rimbaud\u2019s innovative approach to language and form anticipates the emerging modernist sensibilities of the late 19th and early 20th centuries. By engaging with these artistic and literary movements, Rimbaud created a poetic vision that continues to inspire and captivate readers, leaving an indelible mark on the landscape of modernist literature.<\/p>\n
Romanticism, a literary and artistic movement that emerged in the late 18th and early 19th centuries, had a profound impact on the art and poetry of the 19th century. Characterized by an emphasis on emotion, individualism, and the sublime, Romanticism sought to explore the depths of human experience and the beauty of the natural world. Rimbaud\u2019s early work, particularly his lyrical poems, reflects the influence of Romanticism.<\/p>\n
In poems such as “The Sleeper in the Valley” (“Le Dormeur du Val”), Rimbaud employs vivid and evocative imagery to capture the beauty and tranquility of nature, a hallmark of Romantic poetry. The poem\u2019s depiction of a young soldier peacefully sleeping in a lush valley juxtaposes the serenity of the landscape with the harsh reality of war. This contrast highlights Rimbaud\u2019s sensitivity to the emotional and symbolic power of nature, a theme central to Romanticism.<\/p>\n
Symbolism, an artistic and literary movement that emerged in the latter half of the 19th century, sought to transcend the literal and the concrete by using symbols and metaphors to evoke deeper meanings and emotions. Rimbaud is often associated with the Symbolist movement due to his innovative use of imagery and his exploration of the unconscious mind. In “Illuminations,” Rimbaud\u2019s prose poems are filled with rich and surreal symbolism that invites multiple interpretations. For example, in the poem “Cities” (“Villes”), Rimbaud presents a fantastical vision of urban landscapes that defy conventional logic and perception. The imagery of bustling cities and mechanical routine serves as a metaphor for the alienation and dehumanization of modern life, reflecting the Symbolist interest in exploring the hidden and often unsettling aspects of reality. Rimbaud\u2019s use of symbolism allows him to convey complex emotional and psychological states with great power and resonance. His work exemplifies the Symbolist belief in the power of art to capture the ineffable and to express the deepest aspects of human experience.<\/p>\n
The late 19th century was a period of significant artistic and literary experimentation, as artists and writers began to challenge traditional forms and explore new modes of expression. Rimbaud\u2019s thought and poetry reflect these emerging modernist sensibilities, characterized by a rejection of conventional norms and a desire to push the boundaries of artistic creation. In “A Season in Hell” (“Une Saison en Enfer”), Rimbaud\u2019s introspective journey and confessional narrative anticipate the modernist emphasis on subjectivity and inner experience. The poem\u2019s fragmented structure and experimental use of language reflect the modernist impulse to break free from traditional forms and to capture the complexities of human consciousness.<\/p>\n
Rimbaud\u2019s influence on modernist poetry cannot be overstated. His innovative use of free verse, vivid imagery, and symbolic language paved the way for future generations of poets to experiment with form and content. Rimbaud\u2019s work embodies the modernist desire to explore new artistic possibilities and to engage with the profound and often unsettling realities of the human condition.<\/p>\n
The relationship between ancient theater, drama, tragedy, and Arthur Rimbaud\u2019s thought is multifaceted and profound. Rimbaud\u2019s work reflects the themes and structures of Greek tragedy, with its exploration of human suffering, fate, and the complexities of the human condition. His use of Dionysian themes, symbolism, and archetypal imagery allows him to delve into the deeper layers of human experience and to convey universal emotional truths. By engaging with these classical influences, Rimbaud creates a poetic vision that transcends the boundaries of time and tradition, leaving an indelible mark on the landscape of modernist literature.<\/p>\n
Greek tragedy, with its exploration of human suffering, fate, and the complexities of the human condition, has left an indelible mark on Western literature and thought. Rimbaud\u2019s poetry often reflects the themes and structures of Greek tragedy, as he delves into the depths of human experience and grapples with questions of identity, destiny, and redemption.<\/p>\n
In “A Season in Hell” (“Une Saison en Enfer”), Rimbaud\u2019s introspective journey can be seen as a modern reinterpretation of the tragic hero\u2019s quest for self-understanding and catharsis. The poem\u2019s exploration of suffering, guilt, and the search for meaning echoes the themes of Greek tragedy, where characters are often confronted with the harsh realities of their own flaws and the inexorable forces of fate. Rimbaud\u2019s portrayal of his own inner turmoil and existential angst reflects the tragic recognition of human limitations and the struggle for transcendence.<\/p>\n
The ancient Greek god Dionysus, associated with wine, revelry, and ecstatic experience, plays a central role in the rituals and themes of Greek drama. The concept of Dionysian ecstasy, which involves a transcendence of the self and a merging with the primal forces of nature, resonates with Rimbaud\u2019s exploration of altered states of consciousness and the boundaries of perception.<\/p>\n
In “The Drunken Boat” (“Le Bateau Ivre”), Rimbaud presents a vision of intoxication and liberation, where the protagonist is carried away by the forces of nature and the depths of the unconscious mind. The imagery of the boat adrift on the sea captures the sense of surrender to the Dionysian forces of chaos and creativity, reflecting Rimbaud\u2019s fascination with the transformative power of intoxication. This theme is emblematic of his broader rebellion against societal norms and his quest for new and uncharted territories of experience.<\/p>\n
Ancient theater and drama often employ rich symbolism and archetypal imagery to convey universal themes and emotional truths. Rimbaud\u2019s poetry is similarly marked by its use of vivid and evocative symbols that invite multiple interpretations and resonate on a deep emotional level. In “Illuminations,” Rimbaud\u2019s prose poems are filled with surreal and fantastical imagery that transcends the literal and the concrete.<\/p>\n
For example, the poem “Barbarian” (“Barbare”) presents a series of symbolic images that evoke the primal and untamed aspects of the human psyche. The imagery of a white stallion leaping through a cluster of poplar trees, with its golden mane glistening in the sunlight, captures the tension between civilization and the wild, reflecting the archetypal themes of ancient drama. Rimbaud\u2019s use of symbolism allows him to explore the deeper layers of human experience and to convey the complexities of the inner life.<\/p>\n
One of the central features of ancient tragedy is the concept of catharsis, the emotional purification and release that occurs through the audience\u2019s engagement with the tragic hero\u2019s journey. Rimbaud\u2019s poetry often seeks to evoke a similar sense of catharsis, as he confronts his own inner demons and seeks redemption through his art.<\/p>\n
In “A Season in Hell,” Rimbaud\u2019s confession of his sins and his quest for self-understanding serve as a means of achieving catharsis, both for himself and for his readers. The poem\u2019s exploration of suffering, guilt, and the possibility of redemption reflects the timeless themes of ancient tragedy, where characters undergo a process of self-discovery and transformation. Rimbaud\u2019s work invites readers to engage with their own emotional and psychological struggles, offering a path toward catharsis and renewal.<\/p>\n","protected":false},"excerpt":{"rendered":"
Modernism, Subjectivity, Symbolism, and Poetic Revolt Arthur Rimbaud, a prominent figure in the late 19th-century literary scene, is often celebrated for his groundbreaking contributions to modernist poetry. His work, characterized by its experimental form and vivid imagery, embodies many of the philosophical tenets of modernism. This essay explores how the philosophy of modernism manifests in […]<\/p>\n","protected":false},"author":1,"featured_media":2087,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[35],"tags":[],"class_list":["post-2099","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articles"],"_links":{"self":[{"href":"https:\/\/alexiskarpouzos.com\/en\/wp-json\/wp\/v2\/posts\/2099","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alexiskarpouzos.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alexiskarpouzos.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alexiskarpouzos.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/alexiskarpouzos.com\/en\/wp-json\/wp\/v2\/comments?post=2099"}],"version-history":[{"count":1,"href":"https:\/\/alexiskarpouzos.com\/en\/wp-json\/wp\/v2\/posts\/2099\/revisions"}],"predecessor-version":[{"id":2100,"href":"https:\/\/alexiskarpouzos.com\/en\/wp-json\/wp\/v2\/posts\/2099\/revisions\/2100"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/alexiskarpouzos.com\/en\/wp-json\/wp\/v2\/media\/2087"}],"wp:attachment":[{"href":"https:\/\/alexiskarpouzos.com\/en\/wp-json\/wp\/v2\/media?parent=2099"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alexiskarpouzos.com\/en\/wp-json\/wp\/v2\/categories?post=2099"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alexiskarpouzos.com\/en\/wp-json\/wp\/v2\/tags?post=2099"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}